Thursday, June 02, 2005

The New SATs

Ann Hulbert has written an excellent article about the writing section of new SATs, going after fundamental problems in the argumentation structure. (Copied below, in case you don't have access to the site).

Unpersuasive

"Is it more important to follow the rules exactly or to base your actions on how other people may be affected?"

"Are people motivated to achieve by personal satisfaction rather than by money or fame?"

Even if you don't have a high-school junior in your house, you may have guessed that these are sample topics for the essay portion of the ''new SAT.'' The recent debut of the tripartite SAT Reasoning Test -- the official name of the revised college entrance exam that now includes writing along with math and critical reading -- has not lacked for news media coverage. Already, the 25-minute persuasive essay has replaced the discarded analogies as the SAT's hot-button feature, but its significance has yet to be fully appreciated. By instructing students to champion their own points of view on the spot, the new requirement may well reveal less about their prose skills than about our take-no-prisoners culture of argument.

Ever since its postwar ascendancy, the SAT has stood as the pre-eminent symbol of the nation's educational values, and even its democratic virtues. The elevation of writing in the SAT hierarchy, a step up from its former status as one of many achievement-test subjects, is supposed to signal that effective communication skills matter in our global information age. It is also intended to convey a neo-sputnik message: teachable talents, not just the innate aptitude that the old math-verbal SAT claimed to measure, are at a premium in an ever more competitive world, so schools had better shape up. Nobody believes in a writing gene; the addition of the new writing component of the SAT (and harder math problems and more reading passages, too) shifts attention to the caliber of preparation and the quality of thinking going on in America's classrooms.

But the SAT essay, to say nothing of the controversy it has occasioned, might well make you wonder about the rhetorical and reasoning habits being peddled (and modeled) to students. Critics of the writing exercise have wasted no time in finding fault with its scoring methods and its ''formulaic and superficial'' approach to the craft. The National Council of Teachers of English, among others, condemns what it sees as a narrow equation between ''good writing'' and ''correct writing'' and laments that the essay requirement may squeeze self-expression out of the classroom. One director of undergraduate writing at M.I.T. has disparaged what he found to be a nearly direct correlation between an essay's length and its score. The more verbose, the better; content, he has suggested, is irrelevant.

These complaints are overblown. It would be surprising if essay length didn't correlate with scores, given that ''developing'' ideas is the point of the exercise. And surely prolixity isn't too great a temptation when there's so little time and only two pages to fill. As for fastidious usage, graders are in fact told not to be ''Eats, Shoots & Leaves''-style sticklers about what are, after all, rough drafts. The savvy Kaplan test-prep guide's advice to prospective essay writers is ''Don't stress yourself out worrying about grammar and punctuation if they are not your strongest skills.''

The real problem with the SAT persuasive essay assignment isn't what it conveys about spontaneity or style but what it suggests about how to argue. Students are asked to ponder (quickly) a short excerpt of conventional wisdom about, say, the advisability of following rules, and they are then instructed to ''develop your point of view on this issue.'' But if the goal of ''better writing'' is ''improved thinking,'' as the College Board's National Commission on Writing in America's Schools and Colleges has pronounced, perhaps it's worth asking whether practice in reflexively taking a position on any potentially polarizing issue is what aspiring college students -- or the rest of us -- need most.

As those sample essay questions at the start reveal, and as any test-prep book will confirm, at the homiletic heart of the SAT writing assignment is the false dichotomy. The best strategy for a successful essay is to buy into one of the facile premises that inform the question, and then try to sell it as if it were really yours. Essayists won't be penalized for including false information, either, according to the official guide for graders. ''You are scoring the writing,'' it instructs, ''and not the correctness of facts.''

False analogies, of course, were an old SAT staple, but at least test takers got credit for picking only the true one. By contrast, the test-prep industry bluntly says that a blinkered perspective pays off on the essay -- and nobody knows better than the professional SAT obsessives. ''It is very important that you take a firm stance in your essay and stick to it,'' insists Kaplan's ''New SAT.'' Practicing what it preaches, the prep book doesn't let go. ''You are not fair and balanced! (Well, you should be fair, but definitely not balanced.)'' Kaplan drives home the point yet again, just in case. ''What's important is that you take a position and state how you feel. It is not important what other people might think, just what you think.''

This doesn't bear much resemblance to an exercise in critical reasoning, which usually involves clarifying the logic of a position by taking counterarguments seriously or considering alternative assumptions. The English teachers may worry that in the rush to prepare for the SAT expository essay, personal writing will get short shrift in schools. In fact, self-centered opinion is exactly what the questions solicit. ''Don't panic and write from the opposing point of view'' is Kaplan's calming advice.

You have to hand it to the College Board: the new essay seems all too apt as training for contemporary social and political discourse in this country, and for journalistic food fights too. But don't colleges want to encourage the ''strengths of analysis and logic'' that the Board itself has said are so important to ''the citizenry in a democracy''? Out in the ever more competitive world, it is hard to communicate if the only side of an argument you can hear is your own.

Ann Hulbert hits it right on. A blinkered perspective, a take-no-prisoners approach, a fundamental false dichotomy -- these are among the LAST things that a "critical reasoning" test should be teaching.

I've some sympathy for questions like those. They can be useful exercises; they teach certain skills. In 4th grade, I had to write "3-point persuasive paragraphs." Around 7th grade, I had to do exercises almost exactly like those SAT questions. They are quite good at teaching you to select evidence and focus your argument.

But that's all they are. They're purposely artificial, rather like those exaggerated arm motions you do at the piano when you're trying to learn certain passages. By 11th grade, you should have gotten beyond such artificial constructs.

I think an argument can be made that this fits in nicely with the trivium concept. I'd have no problem seeing those questions on a 7th grade test; it's a perfect dialectic-stage prompt. It's great for the age when you're developing your "debating" skills and forms, and when such exaggerated exercises are valuable teaching tools. But it is condescending and embarrassing to a kid in the rhetoric stage, who has hopefully transitioned into a more mature and critically nuanced type of writing.

So seeing this on an SAT is rather troubling. As long as students are aware that this type of question is an artificial exercise, I'm fine with the idea. Even 11th graders can benefit from a bit of review in argument format. But if this sort of essay becomes seen as the ultimate goal of writing, I start having some serious problems.

Will teachers, under pressure to prepare students for the SAT, take the time to emphasize this distinction between exercise and ultimate goal? Forgive me for being pessimistic and cynical. They'll want students to do well on the test, and they'll spend a good deal of time drilling the type of writing that prepares students for the test. Implicitly or explicitly, aggressively partisan writing will get priority over training in nuance and balance. For good or for ill, exams like the SAT have the power to set the standards for what is taught and emphasized. In this case, I'm not liking the emphasis.

I would hate to answer questions like those in the article. Just look at the first one. Not only is it a false dichotomy, but it's also a horridly leading question. Who is going to argue that you should "follow the rules exactly" instead of "basing your actions on how other people may be affected?" Just to be obstinate and contrary, I would have been quite tempted to start arguing for the legalistic side, even though I'd have to have MUCH better arguments than if I argued for situational ethics. I would also be tempted to spend the whole essay pointing out that the question was leading and presented a false dichotomy.

However, as I am more motivated by money in this case (college scholarships!) than by personal satisfaction and principles, I would instead wince and give them sort of answer they wanted.

All and all, I'm not looking forward to more generations of students primed to the principles of blinkered, one-sided argumentation. Not that I'm not faulty myself; you should see some of my high school papers, and the Constitution papers I rolled out this semester! But I'd like to think that we were headed away from that sort of thing, not toward it.

Monday, May 30, 2005

Star Wars, X Wings, and the Mexican War

I'll eventually piece together my thoughts about Nietzsche, crises of faith, shellshock, and the utter mess Lucas made of Anakin's turn to the Dark Side -- but in the meantime, I found this thing quite humorous.

Apparently Dr. Stewart gave out a fake history syllabus one year. In which one of the essay questions was as follows:

Were the motives which drove Luke Skywalker to reject the dark side and those which impelled the United States into the War with Mexico fundamentally similar or dis-similar?

Anna and Phillip decided to answer it. See the full (and somewhat less coherent) entry here. I've edited this one slightly for grammar.

So that you don’t have to read the paper, we’ll give you our thesis up front: X-wings are cool. This was the driving motivation for both the war and Luke. So, yes, their motivations were identical, and that means that they were similar.

Luke rejected the dark side of the force because he recognized the inherent coolness of X-wings. X-wings were central to family life. Everyone in the New Republic would gather round the X-wing for family vacations and to start the barbecue. Lasers are good at starting fires. Yay! Fire! The prominent role of X-wings at barbecues led to their becoming a symbol of the local communities that used them to start fires. Yay! Fire! To keep the spirit of community-mindedness alive and well, Luke rejected the dark side of the force, because no dark jedi can fly X-wings. The coolness of the X-wing propeled him to the height of stardom, which allowed him to create a new galactic order conducive to the re-establishment of communities. Besides, the Emperor was creepy (see "secondary motivations").

The United States fought with Mexico primarily to get its hands on California. Texas was a diversion. Santa Anna knew the swankiest movie-making community would be established there, and so did Polk (though we don’t know why). Santa Anna wanted the money from the movies, and his actions would have led to Star Wars being produced in Spanish. Polk wanted Star Wars to be in English. Who ever heard of "Guerras De la Estrella"? This fear led the US to conquer California because X-wings are still cool, even 130 years before Star Wars was created. Besides, can you see George Lucas speaking Spanish? I don’t think so. An even scarier thought: Jar-Jar Binks in a Sombrero. Clearly, something needed to happen. And the US government with its usual stunning efficiency decided to save the world, and pretend that someone cared about Texas.

The secondary motivation that both Luke and the US had was that their nemeses were annoying and creepy. Mexico was annoying; Vader chopping off Luke’s hand was annoying. Santa Anna was creepy; The Emperor’s make-up job was creepy.

The moral: Muppets always beat the grim reaper. Yoda was clearly more entertaining than Vader or the Emperor. Backward’s speaking is much funnier than lightning coming out of your finger-tips, as cool as that is.

Watching "Guerras De la Estrella" might be cool, but an "Ala X" would never be as cool as an X-wing.

In conclusion, we are still in amazement at the coolness of X-wings; An X-wing in Spanish would not be able to compare. Also, Yoda is still cute, California is itself, and we are still laughing over it. Mexico loses, Luke wins. ‘nough said.

Sources cited:
A few random websites; all Spanish translations courtesy of Babelfish.

Monday, May 23, 2005

Wizard People, Dear Reader

A couple of us watched Wizard People, Dear Reader last night. It's either a hilarious stroke of absolute genius, or the most juvenile kind of stupidity imaginable. Probably both of them at once.

For anyone who doesn't know, Wizard People a basically new "soundtrack" for Harry Potter and Sorcerer's Stone, created by comic-book artist Brad Neely. It's an improv-like narration (and analysis) of the events that are happening in the movie, designed to be played along with the film. The plot is pretty much the same. But the characterization is screwed up beyond hope of redemption.

And it's hilarious. Because along with just the plain stupid things, there are definite lines of consistent, dead-on satire. Especially the characterization of Harry as a demi-god. If Rowling ever needed to be taken down a notch, the utter aptness this characterization does it perfectly.

There are stretches of the 2.5 hours that drag at times, and there are definitely some scenes that could have had far better narration attached to them. But Neely manages to keep you listening. His voice is a brilliant half-drunk monotone (he's ripping off some poet's voice somewhere, apparently). The metaphors he uses to describe characters and settings are insane. And -- again -- his psychological analysis of Harry Potter rocks my socks off.

It pretty much has to speak for itself. Listen to a clip of it here.

Read some more of the lines in this review.

Or download the whole thing here

My personal nine favorite things in no particular order...
1. The metaphors. The insanely random metaphors. "She glares at them, and her voice is cold. Like a piano made of frozen Windex."

2. The lengthy daydreams Harry has as he flies his broomstick. They have nothing at all to do with the scene. But they are hilarious. One centers around an aged wedding cake, and the other involves the discovery of North America and a beautiful giant Indian warrior woman.

3. Harry Potter. A destined child-wizard of uber-god-like powers, isolated by his superiority, coming to terms with his identity and mortality. Hence insanely melodramatic inner monolouges. Plus getting drunk a lot.

4. All the other insanely melodramatic descriptions and monologues.

5. The sound effects. "Blaam! Blam. Blaaam! The door bursts open!" "Woosh! Kawoosh!"

6. The "Gateway to Heaven." Step aside, Mirror of Erised. Neely's psuedo-philosophical conundrums, involving something about Harry's initiation into manhood and the courage to face the hot-blooded nothingness of mortality, are well worth the price of admission.

7. The really fast movement of the three-headed dog.

8. The origin of the sorting hat. And of Hagrid's dragon.

9. Snape.

I hate the fact that I can't give it a wholehearted recommendation to everyone I know. Neely keeps it cleaner than I expected -- but my expectations were pretty low. The f-word is thrown around all the time, with increasing frequency and intensity as the movie progresses. Spoken, shouted, you name it. As is "shit," though less often. There's far less scatological 'humor' than I expected, but still way too much. Plus there's the whole Quidditch subtext. So watch with care.

Sunday, May 15, 2005

Limbo-Student Fun

So, in these five or so days between the end of finals and the start of summer school (or vacation or camp or graduation), we limbo students have discovered that, yes, there are actually plenty of fun and interesting things to do up here in the middle of nowhere. Sort of fun and interesting, at least.

  • take crazy grocery shopping trips to Kroger's. Grocery shopping is quite fun if you're really tired.* I think the cashier thought we were inebriated.

  • go to all the dinners that upperclassmen host for the stuck students

  • talk about books and poetry and words and TS Eliot and Augustine and Dr. S, trying to avoid saying "cool" and "awesome." You fail utterly if you're really tired.*

  • take long walks in the woods around the lake in the middle of thunderstorms

  • run around campus in the middle of REALLY BAD thunderstorms

  • thunderstorms, period. Watching, talking about, playing in, etc.

  • get semi-lost in the woods around the lake, stumble out into civilization, and claim the newly discovered land for Dr. Birzer and Western Civilization. While reciting randomly remembered snatches of The Ballad of the White Horse. (It sort of helps if you're really tired for this, too).*

  • sneak lots of food from the cafeteria

  • sneak into the arboretum at night, even if it's raining

  • dry off, spend 30 minutes trying to get the DVD player to work, succeed, then decide to watch a VHS tape anyway
*Pretty much anything on this list works better if you're really tired. It's like the underage form of getting drunk or something.

Monday, May 09, 2005

Faust Expert???

The Big English Final Exam Question that I have to answer tomorrow. Quite humorous, sort of. If I didn't have just 12 hours to come up with an answer to it.

The Vicissitudes of Faustianism: A Primer

By now, in your study, you must recognize something of a "Faustian" tradition. A few months ago, one might assume you had understandly only the foggiest notion. But now, ah but now, all of you are Faust specialists!

Like the original story of the Fall from the Garden of Eden, that old felix culpa story, or patient Job, or prideful Oedipus, that enormous effusion of tragic agony, the Faust legend constitutes one of Western culture's seminal and most frequently elaborated themes.

As specialists, then, write an in-class final exam essay that serves to introduce the novice, the non-Faust specialist, to this legendary character, this heroic sinner, this tragic figure. Note that the question has little interest in a mere gloss of his character; rather the question asks you to delve into the formidable questions the character and the tradition represent.

Have fun, stay up late, grow tired, but look out for your adversary who walketh about, seeking whom he may devour....

This was a pretty strange freshman English class. Probably the only normal thing we read was Hamlet. Then it was Pico, Martin Luther, Nietze, and Gide all the way. And I guess Marlowe's Faustus and Goethe's Faust are pretty normal too. But not both of them, plus Thomas Mann's Dr. Faust, in the space of a sememster. (I love Mann's Faust, though -- incredible music and philosophy and a whole lot more in that thing.)

Sunday, May 08, 2005

CS Lewis, Phillip Pullman, and One Really Fun Year Ahead of Us

Narnia
So...The Lion the Witch and the Wardrobe movie is coming out this December.

Here’s hoping this studio manages to pull it off. I grew up on the old BBC/Wonderworks series – and while those movies aren’t too great in terms of cinematography, they actually do a very good job hitting the tone of the story. Something I’m a bit leery about Disney doing. So I’m looking forward to December with a bit of hopeful pessimism.

The trailer looks pretty cool, though -- hope the acting is as good as the music and the New Zealand landscape.

However! The truly fun thing is that, a year or so later, Phillip Pullman's trilogy is going to hit the American mainstream. (If you want an even more detailed summary of the plot and characters of themes, look here.

Anti-Narnia!
I mean, how cool is that? Lewis and anti-Lewis, Narnia and anti-Narnia, coming out within a year of one another. And both really great series of books. I personally can’t wait. Forget the hullabaloo about Harry Potter. This is going to be one hell of a ride.

First, some more background:
-- A very good interview here, with questions to Pullman about his religious views and intent in writing the books.
-- And another very long interview.
-- Here's Pullman's article entitled"The Dark Side of Narnia."
-- A look at the books by Catholic Cutlure.
-- Check out some REAL hyperbole here: "The most dangerous author in Britain"!

And DO NOT neglect to read Jeffery Overstreet's take on the upcoming movies. Probably one of the more reasoned and rational piece around.

"Christians are undoubtedly going to be upset about the films. But how should we respond to such a problem? Should we start picketing? Should churches host book-burnings in their parking lots? Should we start making videos criticizing Phillip Pullman? Should we read the book to our children, explaining the problems with the author's worldview? How will you prepare your family for the imminent wave of Golden Compass-mania?"

And me? I'm just going to enjoy the show.

Maybe it’s just that I’ve got a morbid sense of humor. I’m really looking forward to Hillary Clinton to running in 2008. Even though I hope she loses horribly. I wanted the electoral votes to tie in the last election, so that the thing could get thrown into the house and senate. (How often in your lifetime is that even a possibility?). It would be a mess. It would be a VERY bad mess. But it would be COOL!!

And I’m looking forward to people running around like chickens with their heads cut off over the Pullman movie.

The Pullman Movies
There’s no official Pullman movie site, yet, but these are pretty good hubs of information.
-- His Dark Materials.org
-- Bridge to the Stars.net

And some stuff about the upcoming movie's religious tone, and expected reaction:
--This article -- "God cut from Dark Materials film" -- is very good. And has the understatement of the year --"there may be some modification of terms."
--And this one at His Dark Materials.org -- "I won't care if God snuffs it. But the church will."
--The "Spiritual or Literal" musing here also has some good stuff.

And, finally, for a bit of comic relief, check out The Pantalaimon Perplex by Ceres Wunderkind. With great stuff like this:

H: Whoa! Demon? We don't do Satan pictures. Not after Lost Souls tanked.
J: No - daemon. With an A. It's like a talking pet. Like… Mister Ed. C3P0. That sort of thing. It's great comedy relief.
H: OK. I dig. Go on.
J: And they're engaged in this life-and-death struggle with the Church. It's really exciting. There's Zeppelins and warrior hordes and those hot witches I told you about and…
H: Struggle? Against the Church?
J: Yes. They're evil. In the end the kid's mom and dad kill the Angel who's taken over from God. Oh yes, God dies too.
H: (Holds his right hand up) Jim. Watch me. I'm counting off the states where we're not going to be able to open this sucka. You know what I'm sayin'?

And other stuff like that. :-) Great fun. And I'm looking forward to it.

Saturday, May 07, 2005

Evangelism?

::grins::

I find this rather uniquely humorous. Something along the lines of, "OMG -- let's actually try to understand and TALK to these people!"

Liberals gather to plumb depths of Christian right

Thanks to Jacob for pointing this out. His commentary is quite good, too.

Thursday, May 05, 2005

Finals

Probably won't be posting anything substantial anywhere over the next few days. Finals and final papers are in full swing right now. History exam in 18 hours, English paper due on Monday (which I still have to write), English exam on Tuesday, Spanish exam on Tuesday, Constitution take-home exam due on Wednesday (which will not get written until Tuesday night -- YAY SOLID DAYS OF ALL NIGHTERS!)

But my piano jury went well today. So life is good until I realize just how much I need to know for the history exam.

And, as an added bonus, my species counterpoint books arrived today!